This image shows the organic design angle of dropping straight edges to create animated, visually playful, artful home decor, to bring warmth, movement and acoustic value to living space, walls or floors. Photography by GE Photography in Dumfries
Rooted in care for materials, people, and place, my work isn’t about telling a story directly, but about creating something that feels connected, grounded, and quietly meaningful in a playful and contemporary way.
I like to explore the spaces in between, where land meets sea, from asleep to awake, from reality to deep fake.. Ha! I’m pulled to where traces of time remain, to how ancient rock markings have developed into today’s freedom of artistic expression, and how our tools and materials have changed! I’m interested in how to create a chance of space for connection, attention, to unnoticed relationships and thinking about how everything is linked and effects each other. Along the shoreline, for example, tides shape the land, seaweed feeds soil, sheep graze on nutrient rich grass, and wool becomes textile. The environment shapes the beauty of wood grain in a fallen tree to become a nutrient bank or to reappear in furniture or sculpture through the skilled hands of makers. Nurturing young hearts and minds shapes our future cultural value and well being.
My work is a slow craft like the natural cycles of change I mention; I use hand-tufted British wool and commission storm-fallen hardwood stools to make rugs, wall hangings, upholstered seating; all functional pieces, made to be used, sat on, walked on, touched. Each piece carries traces of where it comes from: time, nutrients and weather in the wool and the wood and the hands of the makers. I strongly value the quiet qualities of my work; acoustic enhancing, air purifying, fun, durable, eventually biodegradable, materially sound, home making creations.
See more on materials and our planet here
‘We May Become’ is one of the present lines of my work. Visits to Newgrange in Ireland, Groam House in The Black Isle, Kilmartin Glen in Argyll and the draw of the liminal space of the intertidal zone has abstracted elements appear in the works creating a nod to the past in a contemporary way.
Playing with photography of the works at source is a fun way for me to reflect and achieve a sense the way forward
Photo by Shannon Tofts, Granton Station, Edinburgh, another beautiful building renovation developed by my landlord _wasps studio provision scotland
I love working in collaboration with wood wizard Phil Crennell on stool design and finish. I often cover stools to sit with the larger textiles I make and often use the stool tops to work out the colours and textural finish possible for larger textiles.
Every stool made for me is slightly different in height, width, shape, texture, finish, colour of the legs and I make a different top to suit each one. When I photograph them they look different from each angle.
I can, and do, ask for the stools to be made to specifics for commission requests, as can you, and for which I design a top to a persons commission request.
My own rug creations show my influences as already mentioned above; drawn from the nature around me, living near the sea, extracted elements from places, exhibitions and cultural influences from the deep past to new folklore.